Our lofty goal was to have a precision blank that could be made on our CNC machine that could then be personalized on the lathe or however the student saw fit. The problem with the blanks available is that they are fairly expensive, not customizable and the precision I was most interested in is the hole placement. Blanks available are not already drilled for holes. We were not aiming for a finished flute, but I wanted a proof of concept that the Slow air chamber and flute parts work, so we designed a working prototype that is actually a finished flute. It would be easier to test a finished product. The first test worked perfectly and the sound quality is superb, but it is royally out of tune and we are working as a class to devise a plan to create a prototype that we can move and individually tune specific holes. With this prototype we will be able to plan each individual note and customize each student’s flute to the desired key and scale desired.
This entire project was designed to test our ability to accurately machine 2 sides of a part. Accurately aligning the second side to match up to the first side boggled my mind and I tended to steer students away from this. We settled on the Millennium Falcon from Star Wars. It has good detail on 2 sides, but we wouldn’t be able to get the detail on the edge of it. Since most of the detail is on the top and bottom, this seemed acceptable. We had to make a new CNC table that easily and accurately aligns to the actual bed of the machine and has a home that can be aligned to without thought. Here is a link to the details of the table we made.
I liked this student’s project and wanted to document what he did so that other students could use some of his work. The thing that impressed me was his use of a 3D model in the CNC carve, his use of texture and modeling. We did a piece similar before, but used a different texture.
We have known about designing boxes and cabinets in Solidworks and then cut the parts out on the CNC for some time, but we hadn’t made it happen yet. I love this system because it takes the best of both softwares and helps create awesome work. Solidworks handles the Assemblies so well and Vectric Aspire handles the vectors and post-processing for CNC so well. Continue reading
The V-Carve will likely be your first CNC created file. The software does a great deal of the work and creates beautiful carves from fairly complicated designs. Once your design is in vector form, you are ready to create a V-Carve toolpath. It is important to understand what the software is doing for you and how it decides the depths of cut that were made. In the simplest mathematical terms:
The depth of cut is a function of the distance between vectors and angle of chosen V-Bit.
Lets break that down a bit…
This design is what I am bringing into aspire. This could be a font, design, scan, shapes, etc.
I recommend to first have the material on hand that is going to be carved. Preparing the material first will generally create more desired results. There are times when that is not feasible, but talk to me if you have specific needs.
I will be referring to this picture as I proceed:
We are using Vectric Aspire for creation of vector designs and altering the vectors for quality cuts on the Torchmate. You will be exporting a .dxf file from Aspire once done. You will be using the torchmate software for post-processing and operating the CNC plasma
Once you have your design ready in Aspire, you need to change your vectors so that they cut right on the Plasma
Here are the issues and how you need to deal with them.
Issue #1. The CNC plasma will cut directly on your vector lines and there is a thickness (kerf) to the cut. The kerf thickness does vary, but we have been happy with planning for a 1/16in (.0625in) kerf. However, you can access the real chart here. This requires you to design things slightly larger than you need. The offset tool in aspire has worked wonders to solve this. We have been offsetting at about .035in depending on the requirements of the part. For outside cuts you will need to offset to the outside. For inside cuts you will need to offset to the inside. We have created modeling of what the cut looks like by making a profile toolpath with a 1/16in endmill in the toolpaths tab. Another way to deal with this is to Vector design it purposefully large and grind/mill it to correct tolerances.
Issue #2. This issue is not for all cuts, but something to keep in mind. The CNC plasma takes it’s time around corners which introduced heat to the corners of your cut. This can be a problem if sharp precise corners are needed. This can be solved with the Plasma loops tool. I show the class the need for a square and this is what the toolpaths vectors look like. As you can see the square was offset first, then the plasma loops were added.
Issue #3. The plasma does not start and stop cleanly. This means that you want the plasma to start before your part and end after your part. These are called lead-ins. For the above design I simply cut one of the plasma loops. For inside circles, and any complicated designs, individual lead-ins must be added with the node editing tool. I will create another post on dealing with just this issue as it is slightly more work. One great feature of Aspire is the green node. This indicates where the CNC will start cutting. You can easily change the starting node by right clicking on desired starting node and selecting, “Make this the start node.”
After this, the vector is ready for exporting as a .dxf